in November 1985, Cocker fell out of a window while trying to impress a girl with a Spider-Man impression and ended up in hospital, temporarily requiring the use of an wheelchair in which he appeared during concerts.
二，Jarvis 曾讀電影，在第二張唱片推出之後，
This led to him leaving for London to study film at Central Saint Martins College of Art and Design, effectively folding the band.
It was at this time that Cocker gained significant media exposure due to an notorious prank at the 1996 BRIT Awards, where he invaded the stage in protest during pop singer Michael Jackson’s performance of “Earth Song” and “wiggled his backside” at the audience. After complaints by Jackson and his entourage, Cocker spent the night in Kensington Police Station charged with actual bodily harm and assaulting the child performers. However, with British comedian and former solicitor Bob Mortimer acting as legal representation, he was released without charge.[21] This incident propelled Cocker into great controversy in the UK and elsewhere, and Pulp’s record sales soared as a result. The event also coincided with the beginning of their first arena tour and the Daily Mirror, who had attacked the band months earlier, set up a “Justice for Jarvis” campaign backing his actions and carried out a stunt at Pulp’s Sheffield Arena gig on 29 February, handing out free T-shirts. The NME described Cocker’s actions as a “great publicity stunt” which was “creative, subversive and very, very funny”,[22] while Melody Maker described Cocker as, “arguably the Fifth Most Famous Man In Britain”[23] and suggested he should be knighted.
四，九六年的Compilation是未經Jarvis同意出版的專輯，佢叫大家唔好買，
In March 1996, a compilation of Pulp’s early recordings on Fire Records entitled Countdown 1992–1983 was released on the Nectar Masters label. It received largely negative reviews, but due to the band’s popularity at the time it reached the top 10 of the UK charts. Cocker, who’s permission was not sought before release, urged fans not to purchase the album, comparing it to “a garish old family photograph album”.[23]
突然覺得《Goodbye girl》的副歌是很寫得很美麗，baby let me tell you goodbye doesn’t mean forever。多詩意。送給好友。送給要說再見的所有朋友。
All your life you’ve waited
For love to come and stay
And now that I have found you
You must not slip away
I know it’s hard believing
The word’s you’ve heard before
But darling you must trust them
Just once more
‘Cuz Baby, Goodbye doesn’t mean forever
Let me tell you
Goodbye doesn’t mean
We’ll never be together again
If you wake up and I’m not there
I won’t be long away
Cos the things you do my Goodbye Girl
Will bring me back to you
I know you’ve been taken
Afraid to hurt again
You fight the love you feel for me
Instead of giving in
But I can’t wait forever
Helping you to see
That I was meant for you
And you for me
‘Cuz baby, Goodbye doesn’t mean forever
Let me tell you goodbye
Doesn’t mean we’ll never be together again
Though we may be so far apart
You still will have my heart
So forget your past my Goodbye Girl
Cos now you’re home at last
Let me tell you goodbye doesn’t mean forever
Let me tell you goodbye doesn’t mean forever
Let me tell you goodbye doesn’t mean forever
Let me tell you goodbye doesn’t mean forever
是這樣的，當你生活走到盡處時，若然在音樂上找到安慰，你總會覺得生命是比較美好的。Noah and the Whale的聲音從來都與我的耳朵及內心有著共鳴的。之前大愛單曲《L.I.F.E.G.O.E.S.O.N.》，然後聽罷整張專輯【Last Night on Earth】，我再次找到更大的共鳴了，這是在【The First Days of Spring】那令人聽得隱隱作痛的淒美樂章之後的一張對自我肯定，誓要新生活的專輯。
如果我是台灣那邊負責寫唱片文案的，我一定會寫，這是一張給受傷的你的療傷音樂，諾亞與鯨魚是帶著希望與動力為生命道路上跌倒的我們來個最溫暖的鼓舞。民謠新浪潮遇上Belle and Sebastian的精美輕搖滾加上Lou Reed式旋律及情懷，是這個春天心靈脆弱的樂迷的最佳禮物。
嗯，係可，我確實感到主音Charlie Fink之前經歷的情傷對他來說有多大的傷害。走出困境，我們每一個人都要從陰暗裏走出光明，光明何在，現實中難以體現，音樂上我則仍然感到。專輯序幕便是《Life is Life》對生命按restart button的肯定，是這樣的︰
He’s gonna change
Gonna change his ways
Gonna change
Gonna change his ways
And it feels like his new life can start
And it feels like heaven
緊接的《Tonight’s The Kind Of Night》是這樣子唱的
Because tonight’s the kind of night,
Where everything could change,
然後《L.I.F.E.G.O.E.S.O.N.》是這樣子對著我唱的
She said, “L.I.F.E.G.O.E.S.O.N.
You’ve got more than money and sense, my friend
You’ve got heart and you’re going your own way”
“L.I.F.E.G.O.E.S.O.N.
What you don’t have now will come back again
You’ve got heart and you’re going your own way”
《Wild Thing》唱著的是對一個大眾不認同的人的特別的理解及愛護，這種同理心，我想就是對自己對別人的一個承擔幫助吧；《Give it all back》則是對青春及舊回憶的一個nostalgia，人隨著生活流，不自覺會漏下了誰或誰或誰，很討厭，這就是生活嗎，這就是生命嗎，這就是一定的定律嗎，這一定需要改變嗎，誰不想give it all back and turn back time？
《before we met》則是一個較平淡調子的一個檢閱生活，不過仍然是有那稀噓吧，這不過是以前的我，有舊的堅持⋯這是之前的我，那認識了你，我又得到什麼？
《Waiting For My Chance To Come》則是
Well it takes real guts to be alone,
Going head to head with the great unknown,
But there is no sweeter sound, on the kings round I’m bound,
And just waiting for your chance to come,
《The Line》的離別，讓我想哭，那種無奈，那種無力，那種⋯
“Is this the line?
Is this the line?
Is this the line between heaven and hell?
Is this the line where I get up and walk out?
Is this the line where you get drunk you yell?”
《Old Joy》則是很直接的，
Forget the things that get away, forget the things that get away,
Don’t dream of yesterday, don’t dream of yesterday.
其實很少音樂用字是如此直接主題如此淸晰的，Noah and the Whale，這是屬於我這一年的音樂，是屬於覺得生活要重新好好地過的專輯。
的確，心情有起有落是正常事，最重要是有時起下有時落下，唔好好太獨沽一味就好啦。係嘛，我諗係吧，每到weekend我的心情通常會跌到低點，這從中學時開始已是這樣，沒有什麼問題。今日一常以往感到沒生氣，看看電視劇，聽聽歌吧，像我一直喜愛的倫敦樂隊Noah and the Whale新大碟的新作《 L.I.F.E.G.O.E.S.O.N.》。
第二張大碟的Noah and the Whale因為主音的分手而變成一張極為憂愁的青春映畫，這次第三張經歷哥哥的離隊，跟據Guardian的報導，又會是另一個轉變。趕即下載新單曲，聽一聽，咦，原來早在收音機聽過不少次了，只是沒有為意是他們的作品吧，確實，這次又變得開懷了，收起了ukelulu等的民謠元素，變得竟有點近代的Belle and Sebestian起來。喜歡歌曲，易入口得來仍然有他們的情懐，尤其歌詞，是這樣說的，
You’ve got more than money and sense, my friend
You’ve got heart and you’re going your own way”
“L.I.F.E.G.O.E.S.O.N.
What you don’t have now will come back again
You’ve got heart and you’re going your own way”
